[Thursday 3pm #34] Paul Auster’s Invisible : a review November 19, 2009
Posted by Nathan Hobby in Paul Auster, Thursday 3pm feature posts, book review.Tags: Invisible
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It’s been a prolific decade for my favourite author, Paul Auster –he has just published his sixth novel of the noughties. As prolific as he’s been, he’s also published some of his weakest works –I don’t care for the crowd-pleasing Brooklyn Follies nor Travels in the Scriptorium, although at least they’re better than Timbuktu, his late nineties novel told through the eyes of a dog. I rate his new novel, Invisible, the second best of the six of the decade, after The Book of Illusions. It is the most typical of his whole career, with many of his recurring elements appearing – a mysterious stranger, a change of fortune, a struggling poet translating French texts, a random act of violence, and a framed narrative.
As almost always happens in Auster’s novels, the protagonist is a male New Yorker born in 1947 and a student at Columbia. Adam Walker is a college student and aspiring poet and the novel is about the defining year of his life, 1967.
Adam meets a mysterious stranger at a party – Rudolf Born – who makes him an offer that will change his life; Born will pay Adam to edit a literary magazine. Born is called away on business, and Adam is seduced by Born’s girlfriend, Margot. Yet it isn’t this that causes a rift between them, but Born’s violent stabbing of a mugger. Adam spends much of the rest of the novel hoping to see justice served on Born for the murder.
In between, he has lots of sex with his sister, and even though there’s been hints of incest in Auster’s work before (In The Country of Last Things, The Red Notebook, from memory) it is the sexual explicitness of this novel that is its most atypical feature. Usually Auster summarizes sex without going into much detail at all, but this time he is more anatomical.
Complicating the story is a complicated framing device. The first part about Walker meeting Born and things going wrong, is revealed to be the first chapter of a manuscript Walker has written in the present day and sent to his friend Jim, a famous writer. Walker is terminally ill and is trying to finish the memoir before he dies. (A situation which recalls Thomas Effing telling Fogg his life story in Moon Palace for his obituary, and Hector Mann bringing Zimmer to his ranch to see his secret films before he dies in The Book of Illusions.) After Jim’s framing, the second part of the novel is told in second person to overcome Walker’s writer’s block. The third part of the novel is filled out by Jim from Walker’s rough notes. As Walker’s narrative ends, Jim does some detective work, tracking down the people involved and trying to solve some of the mysteries.
It is a compulsively readable story, fascinating and littered with insights into the way we make meaning of life and how we decide what to do with ourselves. In her review, Lionel Shriver contended that there is nothing to take away from the book, that it’s like a glass of lemonade. I think part of what she is noticing and what disappoints her is an insistence by Auster that his narratives attempt to mimic some of the randomness of life, with both its coincidence and its failure to resolve. I read a reviewer once describe Auster’s work as a handful of smooth stones rubbing against each other, but not yielding anything as simple as meaning.
Perhaps Auster has had a bad influence on me over the last nine years that I’ve been reading him. Particularly in my first two novels and in an abandoned novel or two, I attempted to emulate his randomness, thinking I could just add it as one more element in a palimpsest of all my favourite writers – a bit of Auster’s randomness, a bit of Joyce’s stream of consciousness, a bit of Dick’s madness – in the one narrative. Not possible. The whole narrative world has to be driven by randomness, if one wants to write about the music of chance.
[Thursday 3pm #33] Extract from the Library of Babel III November 12, 2009
Posted by Nathan Hobby in Library of Babel, Thursday 3pm feature posts, libraries, reading.add a comment
As he looked for books to reshelve, he would walk amongst the readers bent over their desks and imagine he could hear the murmur of their thoughts. All those words going through people’s heads, making some connection, some act of communication between writer and reader, sometimes across gaps of centuries. It was miraculous. With his thoughts on this, the reading area hummed and shouted with the glory of the silent communion.
All these people embarked on their own quests, their own projects, an aim, a question, a desire to read they kept inside their head. The library did not ask them why they came. They just came, walking in here to take certain books off the shelves and read.
Silent exterior, noisy interior. A beautiful place, the library.
[Thursday 3pm #31] The Towering Inferno October 29, 2009
Posted by Nathan Hobby in 1970s, Thursday 3pm feature posts, film review.Tags: Towering Inferno
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On the night of the opening of the world’s tallest skyscraper – San Francisco’s elite all on the top floor at the party – a fire breaks out because of the shortcuts taken in the wiring. The principled architect (Paul Newman) and the brave fire chief (Steve McQueen) fight to get everyone out alive. It’s an all star-cast blockbuster from 1974, and it runs a marathonic 160 minutes or so.
The first time I started watching The Towering Inferno, I was about eleven and staying at my grandparents’ house. I used to love sleeping in their spare room, with the foldout couch and the television. (It seemed the ultimate decadence, to have a television in one’s room.) The movie was on commerical television and I came in late; one of the first things I saw was a couple catching on fire and falling through a window sixty floors up. I was hooked. For the next couple of hours, I fought against tiredness as the increasing commercials bloated its length. I didn’t make it through. I had to sleep.
I got it out on video in 2003, when I was living in the decaying sharehouse with my brother. About halfway through, the dodgy VCR I had bought secondhand (what was I thinking?) snared the tape and actually somehow recorded SBS on about thirty seconds worth, even though the plugs weren’t covered. The videostore didn’t charge me, which was kind of them (already videos were on their way out) but I still didn’t get to see the rest of it.
Then, last weekend my wife really wanted to see it, because it was about buildings and she works these days with buildings. People at work told her it was the film every project manager had to see. This time – in two installments – I watched the entire film.
There is something comforting for me to enter the seventies, this world that existed just before I was born. The Towering Inferno has just about every star of its time in it; it’s sad to think of their fates 35 years later. Steve McQueen died in 1980 – what a shock that would have been, the action hero of his time; he seems indestructible as the fire chief in this film. The other lead, Paul Newman, died a reasonably old man this year. (How can the action star of a blockbuster turn into ‘a reasonably old man’?) Fred Astaire, dead of course; that woman who we thought was Elizabeth Taylor is actually Jennifer Jones, but she’s not dead, just 90 and not so remembered. Faye Dunaway – her beauty in this film looks like it will last forever, but she’s now in her sixties. Then there’s O.J. Simpson, who doesn’t appear in so many films these days. Richard Chamberlain? I remember him best as the Indiana Jones rip-off (or vice-versa, given how old the books are), Alan Quartermain, in the 1980s; his star doesn’t shine brightly these days either.
I love the blinking lights of the computer; the wood panelling of the walls; the curious manner men speak to women – always trying to come up with a fresh line, as if that was the way to a woman’s heart. I love the strange sort of indolence that hangs over the scenes early in the film, the spacious sets they made, which just don’t ring true with what the interior of houses or hotels look like, not even in films today; the massive headphone radio the kid has over his ears so that he can’t hear what his mum is saying – ‘kids and their gadgets these days!’. I love the painted film posters they used to do.
I imagined I was watching the film at the drive-in, taking it seriously (not that I’m taking it unseriously, but I’m not watching it as it was made, I’m not watching it as a blockbuster, as the latest, greatest thing, which is what it is always meant to be), I watched it like it was new, and in those moments I was time travelling.
[Thursday 3pm #30] Tom attempts to throw some books out October 22, 2009
Posted by Nathan Hobby in Library of Babel, Thursday 3pm feature posts, books.add a comment
Extract #2 from novel-in-progress The Library of Babel
Over a rainy spring week, they packed their belongings in boxes. They had too much stuff; they had to keep going back for more boxes. There were so many things Tom only looked at each time he moved. He wondered if he should accept this or whether he should throw them out. Maybe it was what made moving worthwhile – it forced him to revisit objects, to reconnect with his past and the things he’d decided were worth keeping.
Then, sorting through the computer leads, half dead batteries, assorted pencil tins given as gifts by his mum which had accumulated in drawers, he revised his thinking. There were many things he hadn’t decided were worth keeping; they had just clung on to him like prickles and he had failed to throw them out, or he had some sense that they might be needed.
He got to the books which had outgrown his shelves and were doublestacked in places. The Sinclair Morgan Library’s problem in miniature. He put six in a pile to take to the opshop, four of them which he’d failed to read in ten years of having them and two which he’d read and hadn’t loved. He couldn’t find a single other book amongst his thousand that he was prepared to part with.
He began packing his thousand books in cardboard boxes. He was thinking about what qualified a book for keeping. If it was a favourite book, that obviously needed keeping. But also if it had lots of annotations – ticks on favourite passages, underlinings, comments, dates he started different chapters – those books qualified for keeping too, even if they weren’t favourites. Those books retained a record of the hours spent on them. He liked to think that reading back over the annotations enabled him to recall the reading experience, reanimating the time he had put into the book.
And then there were books that he thought he’d be going back to, reference books, difficult books which needed re-reading, classic books he needed to check things in or to have on his shelf for appearance’s sake. Maybe he was being too harsh on himself; it wasn’t that many people ever inspected his shelves. It was more likely it was for his own self-esteem; it told him that he was capable of reading Finnegan’s Wake and Moby Dick – one day.
Anita caught him in the lounge spending too long on the books and said, ‘Do you want me to do this for you?’
‘No,’ he said. She used to like reading till she married him. But she told him that his obsession with books had put her off them. As a kind of conscientious objection to his preoccupation, she was reading very little these days. It wasn’t working; he read as much as ever, but he felt lonely that he couldn’t talk books with her as much as they had when they were dating.
When he finally finished packing the books, pin and needles ran through his legs from crouching down so long. He picked up the pile of six discards to put them in a plastic bag, only to reconsider three, which he added to the last box. It barely seemed worth taking the three other books to the opshop, but he needed to make some gesture toward deaccumulation.
[Thursday 3pm #29] Janet Hobhouse and The Furies October 15, 2009
Posted by Nathan Hobby in Thursday 3pm feature posts, book review.add a comment
Janet Hobhouse died of ovarian cancer in 1991 in her forties. She didn’t finish editing The Furies, but it’s seen as her greatest work. It deserves to be read.
Reviewers invariably treat it as autobiography rather than the novel it was published as, and it certainly has the feel of autobiography. The trajectory of the narrative has all the repetitiousness and random intrusions of life itself. It starts before the narrator is born, with the tangle of family that led to her:
That my mother, who viewed herself as as related to very few other beings in the universe, should have descended in a mere three generations from this world of wealth and kindness, this reliable multiplicity of connected others, this cohabitation of cousins, aunts, servants etc., says something about the speed of American life in this century, which cannot only provide a solitary immigrant with the means to create, in a matter of decades, a secure and well-populated dynasty, but can also, and at the same rate, take all these steps in reverse, reducing, as in our case, a huge, prosperous, civically active and internationally connected clan to a mere handful of desperate solitaries, operating like ball-bearings in outer space.
The book follows the narrator through childhood and adulthood, to the horror of her mother’s suicide and the sudden plunge into cancer. A postscript of apparent recovery; we know this wasn’t to last. It’s a book and a life with many tragedies. I felt the same as one reviewer who said to read this book is to get to know Janet Hobhouse, only to lose her. She seems like someone who would have been worth knowing.
Her prose has an unusual quality: confessional, honest without a hint of apology. Her story is compelling, giving the feel of life without even zooming in on many scenes, but capturing the flow of it.
(PS: Couldn’t help being delighted by the similarity of title and name to my novel. Hobhouse/Hobby – The Furies/ The Fur.)
[Thursday 3pm #28] The Hoarding Recluses: A Review of E.L. Doctorow’s “Homer and Langley” October 8, 2009
Posted by Nathan Hobby in Thursday 3pm feature posts, book review, books, history.Tags: Collyer, doctorow, Homer & Langley
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Homer and Langley Collyer were two hoarding recluses who suffered notorious celebrity, at least in New York City, in the 1940s as they fought against the power company, the bank, and the city council. They lived in a large house inherited from their parents and filled it with everything they could get their hands on. Homer was blind; Langley saved years of newspapers in massive piles (‘like cotton bales’ Doctorow imagines) in case Homer ever got his sight back and wanted to catch up on the news. By the end, the paranoid brothers had set traps around the house and could barely move through the narrow passageways between junk. They died within days of each other in 1947 and compulsive hoarding is named after them – Collyer Syndrome. According to Wikipedia, 103 tonnes of rubbish was removed from their house:
Items removed from the house included baby carriages, a doll carriage, rusted bicycles, old food, potato peelers, a collection of guns, glass chandeliers, bowling balls, camera equipment, the folding top of a horse-drawn carriage, a sawhorse, three dressmaking dummies, painted portraits, pinup girl photos, plaster busts, Mrs. Collyer’s hope chests, rusty bed springs, the kerosene stove, a child’s chair (the brothers were lifelong bachelors and childless), more than 25,000 books (including thousands about medicine and engineering and more than 2,500 on law), human organs pickled in jars, eight live cats, the chassis of the old Model T Langley had been tinkering with, tapestries, hundreds of yards of unused silks and fabric, clocks, fourteen pianos (both grand and upright), a clavichord, two organs, banjos, violins, bugles, accordions, a gramophone and records, and countless bundles of newspapers and magazines, some of them decades old.
From such promising source material in the hands of a masterful novelist, Homer & Langley disappointed me. It feels like a novel which never takes off. Narrated by Homer, it is an episodic account of his life from childhood to the late 1970s (Doctorow has the brothers live on several decades longer than they did in real life). A gangster and a group of hippies stay with the brothers at different times, and many others come into their lives for a little time only to leave again. Doctorow doesn’t stay with any of these characters long enough for their interactions with the Collyers to take on enough significance.
The other problem is the first person narration. It doesn’t suit the story Doctorow is telling. We need a narrator who can see the significance and full eccentricity of the Collyers, rather than one to whom their life is insignificant. We need fresh eyes – and Homer has no sight at all – to describe the wonders of the hoarded house.
Perhaps the conflict with the power company and banks would have been more compelling if there was a character representing one of them, an antagonist in ongoing conflict with the Collyers, instead of a couple of faceless stand-offs at the front door.
The charms of this novel are in Homer’s philosophy of the world and his mad projects.
He wanted to fix American life finally in one edition, what he called Collyer’s eternally current dateless newspaper, the only newspaper anyone would ever need. For five cents, Langley said, the reader will have a portrait in newsprint of our life on earth. The stories will not have overly particular details as you find in ordinary daily rags, because the real news here is of the Universal Forms of which any particular detail would be only an example. The reader will always be up to date, and au courant with what is going on. He will be assured that he reads the indispensable truths of the day including that of his own impending death, which will be dutifully recorded as a number in the blank box on the last page under the heading Obituaries. (p.49)
At moments like these, the novel brings to mind Paul Auster and the fascinating life projects of his characters.
I could find only one non-fiction book written about the Collyers; it’s called Ghosty men : the strange but true story of the Collyer brothers by Franz Lidz.
[Thursday 3pm #27] Quotes From The Library At Night October 1, 2009
Posted by Nathan Hobby in Thursday 3pm feature posts, books, libraries, quotes, reading.Tags: Alberto Manguel
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Alberto Manguel’s The Library At Night examines books, reading and the library through a series of themes. It’s the sort of book where so much of it feels quotable that one is tempted to give up: the book resists being reduced, highlighted. Still, here’s some quotes I have pulled from it:
A library is an ever-growing entity; it multiplies seemingly unaided, it reproduces itself by purchase, theft, borrowings, gifts, by suggesting gaps through association, by demanding completion of sorts. (56)
During the day, I write, browse, rearrange books, put away my new acquisitions, reshuffle sections for the sake of space. Newcomers are made welcome after a period of inspection. If the book is second-hand, I leave all its markings intact, the spoor of previous readers, fellow-travellers who have recorded their passage by means of scribbled comments, a name on the fly-leaf, a bus ticket to mark a certain page. Old or new, the only sign I always try to rid my books of (usually with little success) is the price-sticker that malignant booksellers attach to the backs. These evil white scabs rip off with difficulty, leaving leprous wounds and traces of slime to which adhere the dust and fluff of ages, making me wish for a special gummy hell to which the inventor of these stickers would be condemned. (17)
And yet, however careful our reading, remembered texts often undergo curious changes; they fragment, shrivel up or grow unpredictably long. In my mental library, The Tempest is reduced to a few immortal lines, while a brief novel such as Juan Rulfo’s Pedro Paramo occupies my entire Mexican imaginary landscape. A couple of sentences by George Orwell in the essay “Shooting an Elephant” expand in my memory to several pages of description and reflection that I think I can actually see in my mind, printed on the page; of the lengthy medieval romance The Devoured Heart, all I can remember is the title. (197)
[Thursday 3pm #26] The Book of Life September 24, 2009
Posted by Nathan Hobby in Library of Babel, Thursday 3pm feature posts, death, writing.6 comments
An extract from The Library of Babel
I was on the bus after work to visit Grandad when my mobile started vibrating in my pocket. Its urgency disturbed me: phones were always for bad news in my mind. This time I was right – it was Dad and he was calling to say Grandad had died a few minutes ago.
My voice turned to a whisper. I didn’t want these strangers on the bus knowing my business. I asked Dad if he was coping okay, a stupid question, but I didn’t know what else to say. He said he was okay. I told him I was nearly at the hospice.
The book I’d been reading sat forgotten on my lap. I felt cheated that I’d nearly got there, that I could have seen him one last time and I hadn’t. I looked all around me on the bus, and then I couldn’t get my eyes off the stupid advertisements on the inside walls. There was nowhere I could go without people trying to sell me stuff.
I wanted someone with me but I couldn’t bear to ring Anita. I didn’t want to say Grandad was dead. Spreading the news would make it seem more real. The best thing would be to tell no-one, and then, as far as the world was concerned, he would go on living.
I suddenly realised I had no grandparents left, then I reproached myself. I was being so selfish. The person I should be thinking about was Grandad. I wanted to think precisely of what had just happened to him, to get past the words to the event itself. His consciousness had been extinguished. As far as his body was concerned, he no longer existed.
Everyone always said how sad it was for the people left behind, but I was thinking how the real tragedy was for dead person. How could it be possible to die? For your mind to be thinking thoughts one moment, and then not thinking thoughts the next? How could it be possible to have a final thought?
He had a final thought, and no-one will ever even know what it was. Let alone what came next for him. I wondered if he had last words. No-one even cared about last words these days. People used to care about last words; they probably used to rehearse them, to make sure they had them right. Your last words were the culmination of your life.
I went a few stops past the hospice. It wasn’t like I was thinking very straight. Stepping off the bus into the dusk, I had to walk back along the highway. Bus shelter ads, fast food litter on the uneven slabs of the footpath and all the cars rushing past with such violence. The sun was gone and chill of the night was setting in. I needed to ring Anita, I still couldn’t bear to. This could be an ordinary Tuesday night, I could be going to a pub – not that I ever did, but wouldn’t it be such a comforting, ordinary thing to do tonight? – or going to see a cheap movie at the cinema. But these weren’t options tonight.
An innocuous blue sign pointed down a sidestreet to the hospice. It was a residential street, lined with trees. None of these people in their houses knew that a long had just ended in their street. It happened daily, people’s long life stories coming to an end in beds inside a building on their streets. Did they know how much was being lost around them?
Dad, Uncle Graham, Aunty Pat were gathered in the room where he had died. His body had already been taken away. The bed was empty and unmade. I gave everyone subdued hugs.
Dad asked in a low voice if I wanted to see his body. I said no. Even seeing the empty bed was too much. I hadn’t seen a dead body this far in my life and I didn’t want to start today.
On the beside table was an old paperback. I picked it up; a bookmark from his local library was stuck between pages 190 and 191. He only had a few chapters to go. While everyone was talking, I slipped the book into my bag.
That night, I sat in the lounge room until one a.m. reading the old paperback. It was A.J. Cronin’s autobiography, Adventure in Two Worlds. Uncle Graham had probably grabbed it from Grandad’s shelf. I wondered if Grandad had read it before, or if it had been one of those books he had bought at a garage sale and been meaning to get to for the last twenty years.
It was a cheap paperback edition from the 1960s, the cover declaring it an international bestseller. I disliked bestsellers, but I had sympathy for the forgotten bestsellers of the past. Their obsolescence was touching, as was their misplaced self-confidence. They encapsulated their time and its passing.
Grandad liked to read old paperbacks. Whether it was chosen for him or he chose it, it was a fitting book for his last read. It was a life story imbued with the same old-fashioned notion of common sense that Grandad lived by, and the same refusal to be subversive, crude or despairing. It starts out in typical autobiographical fashion, full of the young doctor’s struggles to succeed in the world. But as the doctor becomes a best-selling writer, the narrative becomes more and more choked with anecdotes until it seizes up altogether in sermons.
I got to Grandad’s bookmark and powered on past it, reading what he had never got to read and thinking how he would have loved the end of the book, as Cronin at the height of his powers looks back on a successful life in a self-congratulatory tone I found difficult.
I got to the last word and shut the book. The book was finished, Cronin was at the height of his powers and Grandad was dead. But Cronin wasn’t really at the height of his powers. I got onto the internet and looked him up. He’d died in 1981, twenty-nine years after he wrote the story of his life. The year I was born. His narrative had started in 1917 when he was 18, the year Grandad was born. The coincidences didn’t lead anywhere, were all vague, but they gave me a sense of appropriateness. The book was finished, the book was out of print, Grandad was dead but Cronin was dead too.
There should be a book for people to read on their deathbed which explains everything. So that you’ve got something to look forward to. The last book you read should be the one which makes sense of life. But what if you lived on too long, finished that book, and then had to start something else? What were the odds of dying at the right time, when you’ve just finished a book? It wasn’t good to leave a book unfinished when you died. Poor Grandad. At least I’d read it for him, that had to count for something.
I had thought that when I finished the book I would want to sleep, but I still felt dissatisfied. I wished I could write in my diary and capture the feelings and thoughts of the day, but I didn’t feel able to. I wanted to listen to the radio, but there was never anything good on that late and it would wake up Anita. She stirred as I came to bed and asked me if I was okay. I told her I was probably more okay than Dad and I was definitely more okay than Grandad.
[Thursday 3pm #24] The cartoons of my childhood: nostalgia and disappointment September 10, 2009
Posted by Nathan Hobby in Thursday 3pm feature posts, autobiographical.Tags: He-Man, Voltron
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Have you ever tried going back to the cartoons of your childhood? I have, and it’s been a mix of nostalgia and disappointment. I can watch the same episodes again, but I can’t watch them with the same eyes.
I watched some episodes of He-Man and Voltron for the first time in twenty years this year. I was shocked how bad they were. They both offered incoherent, ludicrous story lines, combining visual elements likely to appeal to six year olds with no thought for consistency. He-Man features bare chested warriors with swords next to cyborgs all living in a castle and each episode fighting off a simplistic baddie called Skeletor who is a skeleton in a cloak. The castle is an important element: Voltron has it too, as five astronauts find hidden robot lions to save a princess from an evil alien king.
The backstory of Voltron is that the mighty Voltron robot was so powerful that a space-goddess (!) cast a spell on it, splitting it into five different coloured parts, which became robot lions as they fell to the ground, each one falling to an environment relevant to its colour – the green lion to the forest, the blue lion into the water, etc. It takes some keys buried in the king’s sarcophagus (and one stolen by ’space-mice’) to reactivate the lions. But of course, the team learns that it has to join together into one big robot if it wants to win. It sounds remarkably well designed to sell toys. And it worked – we all wanted all the lions; my brother got the yellow one, and I the green one.
It’s no wonder children wrote terrible stories at school. The cartoons they watched were setting a terrible example. Although not all of them – I also rewatched a number of episodes from The Mysterious Cities of Gold, and it stood up much better. It used to be on at 5pm on ABC in the late 80s. It’s an epic story of lost orphans who are taken to South America to find the Mysterious Cities of Gold. It has a lot of moral ambiguity and complexity to some of its characters and it still managed to fill me with some sense of wonder.
I hate to think what will happen when I try to re-read the Famous Five. The only childhood book that has stayed with me into adulthood is John Christopher’s The Tripods Trilogy.



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